Saturday, October 13, 2012

Resurfacing

It's been nearly a year since I touched this blog, and a lot has happened - did some major life changes, including moving clear across the country to Seattle, Washington, and am now working fully for myself as an artist, designer, and dancer.  I've launched my own line of jewelry, and I'm getting back to making visual art, especially larger, more complicated works.  This is a very exciting time and I'm looking forward to what's ahead.

The look and feel of Owlkeyme Arts has also changed to reflect new directions and focuses.  I have totally revamped the website, and am in the process of adding new designs and products daily.  Right now, most of my jewelry line is now up.  Go check it all out at http://www.owlkeyme.com

Thursday, September 8, 2011

The Dark Art of Pricing by Jessica Hische

This is a pretty awesome article, found via Pitch Design Union (also a pretty awesome blog).

Designers, artists, freelancers, whatever you do that involves art and creativity, it's an excellent read.  Go. Now.

Wednesday, July 27, 2011

Art-Making: Viola

So, to get things moving here, I figured I would discuss recent work and the process behind it. And here's the first lucky piece:

Title: Viola
Media: Pen & Ink (ball point pen a la Bic)
Size: approximately 8"x10"
The Process: I created this image just after I finished up filming my DVD Project "Bellydance Artistry."  After several months of coming home after work and listening and working with the music that Nathaniel Johnstone had created for the project, I was at a loss of what to do now that that work was done.  I was lamenting about this situation with Nathan, and the response back was "make art." Duh.  So I pulled out my sketchbook and starting doodling, thinking about the music and the emotions invested within it and brought up by it, and over the course of 1-2 hours, "Viola" was the result.

The subject matter:
Well, I love to draw the female form, so it's what comes most readily when I let my brain and hand to whatever they want.  She brings in aspects of dance, music, and Steampunk.  It's also an exploration of fantastical costuming and geared anatomy. 

A note about how I draw:
I often work in many layers of fine lines, a la the style of Alberto Giacometti  - I like the depth that it creates, and allows me to choose which lines are more important and get more emphasis, without having to make a strong commitment to a single line. I believe this is also what gives more energy to my work, more life.
 I remember back from when I was about 6 or 7 in an art class, and the instructor said to draw multiple ovals to create a certain shape, then choose one of those ovals to be the correct one, and erase the rest.  Essentially, I'm still following the beginning of that method, but I keep the rest as well - it doesn't need to be neat and tidy.



What I did with this work:
 I scanned it in and showed it to Nathan, who wanted to use for the album artwork.  It needed to be more striking in order for it work for that, so I brought it into Photoshop, created a negative image layer, and slowly erased certain parts to create a balance of black and white.  I added some additional drawing effects to embellish the image and make it work in the CD cover space better - and the image on the left is the result.

Wednesday, July 13, 2011

Connecting...

I have not been so good about updating this blog - whereas I have been updating my other blog weekly which focuses on dance (http://darklydramatic.blogspot.com/).  There's a bit of cross-over actually, as a lot of the recent topics involve art, artistry, and the process of making artwork...so even if you're not into dance, you may find inspiration and brain-stimulation.

But I will try to update here more regularly with a focus on the visual arts.

Words to remember, always

"It is not your business to determine how good it is, nor how valuable, nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. … No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

As quoted in The Life and Work of Martha Graham (1991) by Agnes de Mille, p. 264.

Thursday, December 2, 2010

RISD Alumni Holiday Sale - this weekend in Providence

I'll be selling my various creations this Saturday at the annual RISD Alumni Holiday Sale, taking place at the Rhode Island Convention Center in Providence. My booth number is #333, and it's listed under "Owl*Key*Me Arts" - whoodlets, shruggeries, artwork, corset vests and belts, jewelry, and more! :)

Details:

ALUMNI HOLIDAY ART SALE 2010 (PROVIDENCE): December 4
10am-5pm, Rhode Island Convention Center
One Sabin Street, Providence
admission: $7; children under 14 + current RISD students (with ID): free
Directions, pictures, and other goodness here!

Tuesday, November 30, 2010

Local vs. Global

Somehow the holidays have ambushed us once again.  (ok, they ambushed me, other people anticipate them with great abandon...) And with it, I've seen a lot of discussion about buying local/handmade vs. "big box"/supporting THEM.

And I seem to find myself in a unique position of being on both sides at once because of my livelihood(s). 

You see, I hand-create and sell my own artwork, costuming, attire, accessories, jewelry, etc - so I'm all for supporting artisans and small shops, buying direct from the artist, etc.  But for the last several years, I have also been a fashion jewelry designer.  From 2007-2009, I designed product for Disney, Universal, Hard Rock, and countless zoos, aquariums, national landmarks, resorts, etc - via a woman-founded small business based in NJ.  And much of the product was made in Bali, China, the Philippines, Korea, India, etc.  And I went to most of these places to work directly with our manufacturers - many of them also woman-owned/run companies, whose business support, feed, and educate entire villages, and also must meet very strict health, age, wage, and safety protocols in order to make product for Disney and other institutions.  There was (and is) also a huge focus on green product/eco-friendly production and business, and raising money to save the environment and promote eco-awareness.

From 2009 through now, I have worked for a company that is ranked among the top 3 in fashion jewelry companies in the world.  Pretty much if there's a chain store in your town, high or low-end, we most likely supply the jewelry for it.  Specifically I have designed for Target, Kohl's, WalMart, and now mainly work on Macy's accounts.  Yeap, all of those evil "big box" stores. And again, I have been overseas, and have been in those factories (and not on the "westerner tour" front) - all of which must follow strict standards (safety, age, wage) to make product for those big names.  Frankly, most of the buildings I have been in, in China, are far more clean, safe, and well-lit than many of the places I have worked in here in the states.  Many of the workers I met are young women and men in their late teens and twenties, also getting college-education at the same time through their companies.

But it's not just about what's going on over there - here in RI, the last bastion of the fashion jewelry industry in the US, the company I work for is making a local impact as well.  In the last several years, it has taken over other local companies who were failing, and brought them back from the brink - so instead of losing more jobs, jobs were saved, and the company continues to expand, and now employs hundreds of people here in RI, and many more throughout the US as well. And when you buy that ring I sculpted at Target, or the necklace I designed for Macy's, it's not just overseas jobs that are being supported, it's supporting us right here.  Good product sales at the stores means they buy more from us, which means we can higher more designers, more merchants, more accounting and IT staff, more warehouse workers - and send more work locally to the many companies who do our casting, plating, vibing, and local production.  The more work we send them, the more people they can hire too.  And so it goes on. So even though it may say "made in China" on the tag - it was designed here, created here, bought here, and comes back here, it pays for jobs HERE.


So folks, it's not just black/white, good/evil, us/them.  Yes, support your local artists, designers, and artisans! PLEASE! But do your own research too before you ban everything from "over there".  Many of those "big-box" stores are working hard to be green, to make sure what is manufactured in their name meets many safety and quality standard guidelines for production and working conditions abroad.  And their buyers, merchandisers, designers, accountants, and sales people are all working here.  We've reached a new age where the lines between what is local and what is global really don't exist anymore, we're interlinked.  And if you think those big-box companies don't have a face, check again. They're just made up of a lot more faces - including those of your friends, neighbors, and family.